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“Then and Now”: The Making of a Visual Frontier (Trans Asia Photography)
"When we #TakeItDown, what should go up?" (Monument Lab)
“Hagia Sophia as Endless Feedback Loop" (Arts of the Working Class)
"Simulating the Contact Zone: Corporate Mediations of (Less-Lethal) Violence in Israel, Palestine and Beyond" (Jerusalem Quarterly)
“Dialogue: 10 global issues, 100 art projects" in Making Another World Possible (Routledge, 2019)
"Clear-Hold-Build" (Exhibition Catalogue, Twelve Gates Arts)
"Top Israeli university marketing country’s arms industry to the world" (+972 Magazine)
“Shooting Ourselves: Simulating the Dysfunctional Family of War" (Film Review, Warscapes Magazine)
“Reclaiming Phantoms in Kamal Aljafari’s ‘Recollection’” (Film Review, Warscapes Magazine)
“Astro Noise: War on Terror as (Virtual) Reality” (Exhibit Review, Warscapes Magazine)
“Photojournalism and the Politics of Sympathy" (Warscapes Magazine)
“Memories of Massacre” (Film Review, Jacobin Magazine)
“On Classification and the Brain: Image Blockade” (Exhibition Review, Warscapes Magazine)
“Snapchat’s Tel Aviv feature erases a reality of dispossession" (+972 Magazine)
"Women/Pioneers: Challenging the Myth of Zionist Egalitarianism" (Film Review, Jadaliyya)
“The Evils of Banality” (Book Review, Warscapes Magazine)
“New Pathways in Contemporary Arab Cinema” (Film Festival Review, Mashallah News)
“Oral History as a Tool of Legal Analysis: Women in the Margins of Israeli Society" (Northern Ireland Legal Quarterly)